Mommas don’t let your babies grow up to be actorsSo why did I sideline the pursuit of an acting career for steady, daytime employment that doesn’t reject you on sight? Oh, I don’t know, perhaps it was waking up at 6 a.m. for a 9 a.m. audition where, if you’re lucky, you’ll get seen before your dinner shift starts at 4 p.m. Or maybe it was feeling like a member of a cattle herd—I was prime non-union beef—underfed, overworked, and constantly suffering from foot-in-mouth disease. Let’s be honest though, it wasn’t the early mornings or the long line that kept me from throwing myself into the largest temp pool in the U.S. It was knowing that if I did get up and get in that line, they would be there, waiting for me…the Actors.
I can spot one a mile away—the overeager face, the flee market attire, the headshot practically pinned to her chest like a marathon runner with tap shoes and a resume. Typically I cross the street when I see one, especially as they tend to travel in packs, drawing strength from reinforcement by their fellow rejects that they are, in fact, far more talented and better looking than anyone on the cast of Friends.
Waiting five hours to audition is painful at best, but waiting with Actors is excruciating. Overhearing their ridiculous conversations is pitiful but amusing, until they begin talking to you. You see I really don’t care about your regional theater credits. No, I don’t want to see your headshot. I’m sure you were an amazing Sandy in your high school production of Grease, but really I’d just like to read my book. I have no idea if there is an “official list,” (nor would I tell you if there were), I don’t know where the proctor is, and of course I don’t have an agent—if I did I wouldn’t be here with all these Karen carpenter wannabes.
Seriously, some of these women haven’t been fed in weeks. The idea of being “hungry for it” is a metaphor, right? Their faces are priceless when I pull a bagel out of my bag—it’s something like fear mixed with disdain, like they’re breathing in second-hand carbs. My cream cheese really pushes them over the edge, and I see them start to drool over my breakfast as they spoon up a small scoop of yogurt (got to make it last until dinner). Eventually though, as I finish my bagel and cease to be a health threat, they begin to circle, dying to talk—about themselves—to someone, anyone, and I’ll be damned if it isn’t always me. I put on my best “I have no interest in acknowledging your presence let alone speaking to you” face, but apparently I haven’t shed enough of my southern hospitality because inevitably Becky Braindead and Wendy Witless start talking to me. And of course they want to be all buddy-buddy, like I want to sit around and swap recipes with a girl who hasn’t so much as sniffed a piece of cake since she moved here five year ago and caught the “acting bug.” She had a pretty serious case of it, couldn’t keep anything down for the longest time. Thankfully she discovered the cure-all powers of medicinal cocaine. Now back home we call this bulimia and drug addiction, but what do we know?
Now there is the Actor (highly irritating but relatively harmless), the Model-Actor (Actor with less talent, zero personality and an eating disorder), and the worst possible version, the Musical Theater Actor. This is the one who, in addition to thinking that she is the next Meryl Streep, also thinks she can sing. A word to the wise here: just because your momma thinks you can sing, doesn’t really mean you can. In fact, I bet you got all your talent from her…and she’s tone deaf. These people are remarkable—no truly, you must experience it yourself for the full effect—they can totally disregard everyone in a room, warm-up like they were in their shower, not sing a single pitch correctly, and have no idea how horrible they are. Amazing. Once I was staring in disbelief, which the squawker mistook for awe, and I had to spend the next half hour learning about “vocal technique” from a woman who sounded like she’d spent most of her practice time on the filter end of a Marlboro Red.
So in an effort to salvage my fading desire to become a compcard-carrying member of “the business,” I decided to enroll in some acting classes—yes, perfect way to escape actors. Now I was smart about it, I didn’t just leap into the first class I could afford (I mean who am I kidding, the concept of actually “affording” something flew out the window when my first Visa card arrived.) Oh no, I got a book—the book in some circles—Uta Hagen’s Respect for Acting. I wanted it to be that change-of-life, coming-of- age, born-again-in-the-light-of-true-knowledge kind of experience, and maybe it could have been, had I made it past page four. Not that I wasted my money, though; Uta is often an answer in my daily crossword.
Obviously books weren’t gonna cut it for me, I needed serious instruction, real acting with real actors. So, I hop a train all the way down to the West Village, which to an Upper East Sider may as well be Delaware, and attempt to enroll in a musical theater class. The registration people convinced me to audit a class first, and God bless them for that. I found myself in this three-hour-long debacle of what appeared to be public voice lessons for the vocally challenged. I felt like I was either sitting in on a taping of Candid Camera or I was watching an after-school special about the bad talent that will befall you if you run away to New York. The first thing that struck me was that these people were paying to humiliate themselves in front of like twelve other people. I already have a voice teacher who insults me privately (if I had a dollar for every time I’ve heard “what the hell was that,” I’d be quite wealthy-even by New York standards). But you see, that’s the thing about Actors, not only do they not know if they suck, but they will not know in front of God and everyone. If I’m gonna suck, I’ll do it in private, thank you very much.
So here I am listening to the Latin-American duet, You Are the Sunshine of My Life—now forgive me, but I know Stevie wasn’t seeing double when he wrote this. The actual student had brought a friend in to help him, not sing harmony, but jump in after “you-auh-thugh-sun-shine-of-ma-life”(in evenly spaced, monotonal sounds), with “yes-you-aughhhh.” This was the point at which I began stuffing my scarf in my mouth to keep from laughing out loud. They couldn’t hold a candle to the next girl, whose rendition of I Feel the Earth Move under My Feet, had me praying the earth’s movement would swallow me up and put me out of her misery. This small, pale girl wobbled back and forth, breathing after every syllable, until the teacher, all five feet of her, got up in her full ski suit and began stomping around the room with her eyes closed shouting, “you’ve got to feel it!” at the top of her voice. At that point, our own Carol King closed her eyes, clenched her fists and sang half a notch louder, by sacrificing every actual pitch in the song while bouncing on every-other off beat. Now when you’re auditing a class, you’re not supposed to leave early, but as my other option was choking to death on my scarf, I bolted. I realized a couple of things as I walked home: number one, that was the last day of the semester so it had taken them four months to work up to being that bad; and number two, I had to get out of musical theater while my hearing was still in tact.
It took me the better part of a year to recover from the nightmare of my first “acting class,” but, after about nine months of spending my nights out in those Chinese restaurants that offer free wine with dinner, I had finally scraped together enough money to buy admittance to yet another freak show—thankfully this one came without a soundtrack. So the first class was the great “getting to know you” game, where we all stood up one at a time and poured out all of our frustrations about the business—and life itself—on a room full of strangers, who were either sizing you up as competition or completely blocking you out so they could practice their own fantastic introduction—which, for the record, sounded amazingly like the one before… “can’t get an agent”… “they’re only hiring big names”…and my personal favorite, “ I’m so surprised that it’s not about talent, it’s all just a business. Somebody alert the media, this girl has just used both her brain cells at the same time!
After an hour and a half of hearing lists of everyone’s small-town acting rolls, exaggerated screen credits and what I’m certain were home-correspondence drama courses, I was already over these people. But, fair’s fair, I marched myself up to the front of the class and told them all the work I had been doing. Contrary to popular opinion, I can be seen performing daily—in my shower—a one-woman extravaganza that’s revered by my sixth floor neighbors (I have an extra large bathroom window with no curtain). I’ve never had a problem finding monologues….of course I’ve also never looked for them, and my only actual experience with acting is occasionally trying to act like I have some sense (my illustrious career as a pageant loser not withstanding, as I did actually manage to convince them I wanted world peace). As for public speaking, “A senior at the University of North Carolina, I am contestant number one,” is the longest anyone’s let me hold a microphone, but I did learn how to walk down stairs in heels- some fake tits and a sequined gown and I’m almost qualified for Vanna White’s job.
I stuck around for a few classes; long enough to perform my first-ever monologue. After which, the Jennifer Aniston wanna-bes in the front row used all their collective mental capabilities to ask me a question: “So, if you like, don’t wanna be an actress, like what do you want to do?” Swallowing my initial response of “get far away from you,” I had to admit that it was a valid question. A very wise woman once told me about acting, “if you can do anything else, do it.” Great advice, though maybe not what you want to hear from someone you just paid three hundred dollars to teach you how to get into the business. So if the class didn’t help me find the best audition material or get me an agent, it doesn’t matter, since it taught me the greatest lesson of any course I’ve ever taken: I may not have a clue about what to do with my life, and I may not know exactly who I want to be, but I am damn sure that I am not and have no desire in becoming…an Actor.